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A Watermelon, a Fish and a Bible: A heartwarming tale of love amid war

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I’m not sure if there is anything I nearly left out, but there is something I definitely left out and those were chapters that I had written from Afra’s perspective. I decided that I didn’t want to include them, that I wanted Afra’s strength to be revealed in the story slowly and subtly. I like it that when people read it they think at first that Nuri is the stronger of the two but later discover that it is in fact Afra with her deep, quiet strength. She became desperate to showcase the suffering she saw and put on paper the pain she sometimes saw in her parents’ eyes when she was growing up. The book (or part of it) is set during the Turkish invasion of northern Cyprus which eventually led to the island being partitioned. Many Greek Cypriots fled and the title is the only three things one couple take from their house when they leave (they were about to cook). I think it is a symbol of the panic and chaos of the time.

The middle dragged a little as events played out over the five days. There's an immersion in memories of the past, both a sense of longing for what was as well as a lingering regret over how things played out over the years. Ostracism of the Other seems to be a key theme which recurs over and over again, both on a personal and a national level, with the microaggressions of the Greek-Cypriots against Adem and Koki seemingly representative the aggressions of the Greek-Cypriots towards the Turkish-Cypriots and the British in their midst on a national level. In retaliation, the Turkish soldiers rape the women and murder the men on a macro scale of revenge, even though these specific women have done nothing to them personally. Christy Lefteri really knows how to write a book that will tug on your heart strings. She has an amazing way of coupling fiction with real and relevant social commentary on the state of the world, or the state the world has previously been in.The police believe she is just another runaway house help but Petra her employer thinks there is more to it. Petra’s investigations lead her to the many friends Nisha had working as nannies in the neighboring houses. During the Turkish invasion of Cyprus, her father had been a commanding officer and left soon after the signing of the armistice. He was forced to leave as he did not believe it was safe for him and his wife to be in the country. It is July 1974 and on a bright, sunny morning, the Turkish army has invaded the village of Kyrenia in Cyprus. For many people, this means an end to life as they know it. But for some, it is a chance to begin living again. Koki, a young villager, feared and hated by her neighbours for her startling red hair, has spent her life in shadow. But held captive in the house to which the women of Kyrenia have been brought, she can at last speak to them as an equal. She can tell them her story of a summer long ago. The young, Turkish shoe-maker who came to the village and took her heart away with him when he left. And how she has longed for him all these years and never known why he left, what took him away. Adem Berker is a Turkish soldier and for him, the invasion of his former home is an opportunity to seek out the woman he has loved for so many years. Waiting for a chance to return, his only thought has been of her. And so, by cover of darkness, he searches every house, every pathway for a glimpse of that head of flames. For Richard, growing old and grey in a dank bedsit in the centre of London, where the underground trains shake the foundations, the invasion of Cyprus stirs memories of his time as a British pilot, of a woman, a child and a secret it is becoming all too difficult to keep. Christy Lefteri’s novel “The Beekeeper of Aleppo” is a beautiful novel about Syrian beekeeper Nuri and his artist wife Afra. They live in Aleppo, a beautiful Syrian city where they are rich in friends and family until everything comes crashing down. She makes the reader walk in the shoes of victims and perhaps view those seeking asylum in a different way as their journeys are portrayed with great feeling.

Everyone has always talked about Koki. They never believed she was her father's daughter and her mother died too soon to quiet their wagging tongues. And when she became pregnant and there was no sign of a husband, her fate was sealed. Christy Lefteri writes a deeply empathetic and poignant narrative of the human stories we don’t get to hear about the immigrant experience. It is a beautifully written, moving, compassionate, and powerful story that showcases the triumph of the human spirit.I was pulled in by the title of this book, which, believe it or not, does relate to the story. Lefteri's prose is stunning. Her language shines with life and drew vibrant images to my mind when I read this book. Her descriptions compile most of the novel and they are definitely the highlight. In general, I tend to be bored with books centered around the descriptions of a particular place and time, and built up with details of the characters, and that don't really have a plot, but I wasn't. The author's style is so detailed that I could practically feel the hot summer wind and smell the egg-lemon soup. So she lives outside the town and hides from her neighbours' eyes. But, held captive with the very women who have made her life so lonely, Koki is finally able to tell them the truth. To talk of the Turkish shoemaker who came to the town and took her heart away with him when he left. Christy’s 2019 published work would go on to become a winner of the Aspen Words Literary Prize in 2020 and also become a bestselling title in the Sunday Times. As Afra and Nuri travel across a landscape broken by the war, they have to confront not only their own unspeakable loss and pain but a lot of danger. Christy has a very poetic form of writing with lots of personification, vivid imagery and alliteration used to excellent effect.

Songbirds” by Christy Lefteri introduces a poacher named Yiannis. The man makes a living trapping the very small protected songbirds that make a stopover in Cyprus on the way to Europe from Africa. I’m interested in going to Greece to research the wild fires that happened in Mati a few years ago. I’m interested in learning more about the effects of climate change on communities and families. While I was on tour for Beekeeper I was often asked a very important question which got me thinking. “How can we get people to understand that refugees are not like migrants, that they have no choice?” what really saddened me about the question was our obvious need to categorise, label and put people into boxes. I knew from the stories that I had heard that people make journeys for all sorts of reasons. Sometimes they are frightened, sometimes they have no other choice, but sometimes they are searching for a better life. Can we condemn people for wanting a better life? Don’t we all? What does wanting a better life mean to one person and another? It was these thoughts and these questions which compelled me to want explore further and eventually to write about migrants. The story is about a domestic worker called Nisha who has crossed oceans to give her child a future. By day she cares for Petra's daughter; at night she mothers her own little girl by the light of a phone. Nisha's lover, Yiannis, is a poacher, hunting the tiny songbirds on their way to Africa each winter. His dreams of a new life, and of marrying Nisha, are shattered when she vanishes. No one cares about the disappearance of a domestic worker, except Petra and Yiannis. As they set out to search for her, they realise how little they know about Nisha. What they uncover will change them all.No matter what story I’m writing, whatever the circumstances are, it is the bond and the love between people, between friends, between a parent and child, a husband and a wife, that is the real heart of the story.

The book contains a lot of tragedy and violence. It is a sad tale of rejection and death. There is a fair amount of bad language and some blasphemy which I didn't appreciate. There is no graphic sexual detail although rape is eluded to and the after effects are obvious in the telling of the story. There is a lot of violence, it is not disturbingly graphic, just sad. Again, I feel that the reading of this book was slightly impacted by the fact that I was reading it in spurts, mainly while on various trains, and whilst really sleepy. Still, this goes to show that it wasn't particularly exciting to me, because I've powered through books in the middle of the night whilst dead-tired because I really wanted to know what happens next. At any rate, I liked it enough despite the fact that it's historical fiction and not fantasy, so *shrug*. Thinking it over, I'm not too sure if the 4-star is impacted by bias. Now that I'm writing the review, I'm wavering down to about a 3-star, so I'd say it's a tentative 3.5-star book, just because I'm not sure.The human stories behind news images of Syrian war refugees emerge in a novel both touching and terrifying. The story is told from the point of view of three individuals, a Greek Cypriot woman with red hair, a Turkish Cypriot man now in the invading Turkish army and an Englishman formerly an RAF pilot stationed in Cyprus. These three characters are connected and we learn how through their memories and them telling their stories to others. All three are more integrated than was usual for their respective communities and have had love affair which crossed racial boundaries. A Watermelon, a Fish, and a Bible” is set on a sunny and bright morning in 1974 when the Turkish army invaded Kyrenia, a town on the island of Cyprus. It is July 1974 and on a bright, sunny morning, the Turkish army had invaded the town of Kyrenia in Cyprus. For many people, this means an end to life as they know it. But for some, it is a chance to begin living again. The novel “A Watermelon, a Fish and a Bible” takes its inspiration from the lives of her parents that lived as refugees in England.

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