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Sigma 28-70mm F2.8 DG DN for L-Mount

£9.9£99Clearance
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The optical design handles both localized contrast and bokeh very well, and this combination produces a pleasing separation at wide apertures. It's perfect for videographers or photographers who need something more compact but still want that fast constant aperture. The cost is going to be a factor to some, but also consider the Art lens is going to be considerably larger and almost twice as heavy… but very good.

Sigma 28-70mm F2.8 DG DN Review - DustinAbbott.net Sigma 28-70mm F2.8 DG DN Review - DustinAbbott.net

prime lens costs as much as many photographers would spend on an entire full-frame camera outfit, it should be something pretty special. Unlike in Sigma’s 14-24mm DG HSM Art lens for SLRs, there’s some noticeable barrel distortion at the short end of the zoom range, but in-camera or software corrections can take care of it. Our sophisticated products have satisfied professionals and lovers of photography all over the world because our manufacturing is based on genuine craftsmanship, underpinned by the passion and pride of our experts. Image quality is excellent in all respects, from impressive sharpness and effective correction of colour fringing and distortions, to great control over ghosting and flare.Panasonic invites you to ‘take a fresh new approach’ with this lens, although the zoom range and f/4 constant-aperture rating will be familiar to users of Canon and Sigma 24-105mm lenses. Compared with most standard zoom lenses that have a minimum focal length of 24mm, this Panasonic lens gives a much wider maximum viewing angle of 94 rather than 84 degrees.

Sigma 28-70mm f2.8 DG DN review | Cameralabs Sigma 28-70mm f2.8 DG DN review | Cameralabs

It’s worth noting that this zoom would also make an excellent lens on smaller APS-C bodies like the Leica CL, which thanks to the crop factor, would give you a focal length range of 42-105mm. Both the zoom and focus mechanisms are smooth with just enough resistance so that you don't accidentally adjust them.That explosion of lens options, however, makes deciding which lens to add to your bag next a bit tougher to do. where as you’ve seen before it’s possible to achieve a nice subject separation without completely destroying the background or context. The longitudinal CA here is the worst I could find, and that is with bright morning sun shooting through ice crystals! The optical path is upgraded and includes a top-notch FLD (‘Fluorite’ Low Dispersion) element, in addition to four SLD (Special Low Dispersion) elements.

28-70mm F2.8 DG DN – Sigma UK

are rather noticeable when uncorrected in-camera but overall handling, performance and image quality are excellent, and it’s ultra-sharp.I’m still not sure that I would have prioritized producing this particular lens when the audience is clamoring for other areas of greater need, but clearly Sigma saw things differently. It’s all good news, though, as the focus is quiet, focus pulls are accurate and smooth, and there is little to no hunting or settling.

2.8 Versus Sigma 24-70mm f/2.8: Is There a Leica 24-70mm f/2.8 Versus Sigma 24-70mm f/2.8: Is There a

Neatly picking up the baton from Leica’s 24-90mm, this telephoto zoom has a longer zoom range than the more usual 70-200mm fare and, as with Leica’s standard zoom, the aperture narrows from f/2. Sigma has instead chosen to release a second standard zoom for Sony FE (full frame E-mount) and Leica L – the Sigma 28-70mm F2.The Tamron 28-75mm is our winner here, showing considerably less (and less complex) distortion along with slightly less vignette that moves in a more linear pattern (easier to correct for).

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