Mixing Secrets for the Small Studio (Sound On Sound Presents...)

Product Information

Recently, I felt like my mixing had hit a plateau, so I went looking for new ideas to consider at mix time. Different producers are going to have different preferences, technology is going to change over time, and it's not Mike Senior's fault I'm not British!

My other issue with the title is that the implication is that his target audience is people with not as much experience, who might not know some of the info he is assuming we know. I would imagine most of our readers are familiar with the Mellotron, a tape-playing keyboard that became popular in the late '60s on songs like The Beatles' "Strawberry Fields Forever.I really liked that he explained why he was doing things, instead of just saying "do this", as it helped me to adapt the methods to different situations and to really understand what I was doing, rather than following blindly. As a project studio operator, Mixing Secrets has been the single resource I can point to that got me over the hump and into the territory where I can begin seriously competing with established professionals - all while remaining on a humble budget. The title is something of a misnomer because the advice and guidance contained are relevant to everyone involved in music engineering and production, at all levels and regardless of the size of the studio or its facilities.

The main idea behind the whole thing is to teach ways of making your final work much more professional without relying on expensive equipments.

Mixing Secrets for the Small Studio is a 'must have' for me that I wil re-read from time to time and I cannot recommend it more. I’ve read it several times, and maybe I’m missing something, but he seems to say one thing, contradict himself, then contradict himself again? stars because it's out of date and could be refreshed and it's also really only focused on mainstream and pop mixes. Senior has tons of practical knowledge and deep insight on how to approach and fix common small recording studio mixes. Another important detail is that it never appears to be trying to sell you one brand or product, it really makes you feel that the only important thing is knowledge and experience.

If you've been figuring out everything yourself or piecing together your workflow based on internet forum posts, this book may bump your work forward by months or years. Mike Senior gives the novice the fundamental information necessary to understand and execute all basic mixing tasks as well as many advanced mixing ones. And all the while, what he's saying is presented in a way that invites you to try his methods, all of which are quite sound (no pun intended, but there it is). Additionally, reexamination of any chapter reveals situation specific tips that become increasingly relevant as the student gains experience. By using the Web site, you confirm that you have read, understood, and agreed to be bound by the Terms and Conditions.Discover how to achieve release-quality mixes even in the smallest studios by applying power-user techniques from the world's most successful producers. On the way, you’ll unravel the mysteries of every type of mix processing, from simple EQ and compression through to advanced spectral dynamics and ‘fairy dust’ effects. He includes quotes from many heavy-weight producers and engineers, and also mentions songs which demonstrate the techniques he's discussed.

And though there's plenty of information to soak up, Mike has made it very easy to navigate your way through the book and to find the relevant information you need quickly and easily. Pick up tricks and tips from leading-edge engineers working on today's multi-platinum hits, including Michael Brauer, Serban Ghenea, the Lord-Alge brothers, Tony Maserati, Manny Marroquin, Dave 'Hard Drive' Pensado, Jack Joseph Puig, Mark 'Spike' Stent, Phil Tan, Andy Wallace, and many, many more. For example, when I get a book like this, I almost always go straight to the chapters on EQ and compression, since those are arguably THE most important things, and the things that will trip most people up. The techniques are backed up by quotes from the top engineers in the music business across a wide variety of genres, instilling confidence in the ultimately subjective choices it suggests. Pick up tricks and tips from leading-edge engineers working on today's multi-platinum hits, including Derek "MixedByAli" Ali, Michael Brauer, Dylan "3D" Dresdow, Tom Elmhirst, Serban Ghenea, Jacquire King, the Lord-Alge brothers, Tony Maserati, Manny Marroquin, Noah "50" Shebib, Mark "Spike" Stent, DJ Swivel, Phil Tan, Andy Wallace, Young Guru, and many, many more.Learn the subtle editing, arrangement, and monitoring tactics which give industry insiders their competitive edge, and master the psychological tricks which protect you from all the biggest rookie mistakes. His book is packed with surprising insights and techniques which are - frankly - so simple that I while reading this, my forehead was beet red because I kept slapping it. There are, however, ways to maximize the effectiveness of your efforts, and this is the best I know when it comes to mixing. Now extensively expanded and updated, including new sections on mix-buss processing, mastering, and the latest advances in plug-in technology.