Doctor Strange: Fall Sunrise Treasury Edition

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TRADD MOORE: Hmmm, I’m not sure. I’m not too worried about retreading familiar ground here—I’m in my own world putting down what comes. Don’t get me wrong, I steal from other art flagrantly and often, but I think that if you filter inspiration through yourself thoroughly enough, it comes out the other side changed and unrecognizable. It makes the story even more self-contained than it already was, making this even easier to recommend to fans of the character looking for a modern “in” with no strings attached (despite the art being as intense as it is), not to mention being easy to revisit. In early 2020 it was revealed that The New World would be adapted into a movie by Warner Bros., with Jeremy O. Harris on screenwriting duties. [12] Later that year he wrote and illustrated a short story for the milestone issue #850 of The Amazing Spider-Man. [13] At 2022 San Diego Comic-Con it was announced that Moore's next project will be Doctor Strange: Fall Sunrise, a four-issue miniseries that he will be both writing and illustrating. [14] Bibliography [ edit ] Interior work [ edit ] Image Comics [ edit ]

You have to learn how to put it down—I’m still learning. It’s a practice you have to learn just like anything else. It’s impossible to maintain a clear sense of objectivity because you’re too close to the work, and it’s hard to see the value in anything sometimes. So yeah, you do the day’s work, you put it down, you move on. That’s what we got! Enter the world of DOCTOR STRANGE: FALL SUNRISE alongside Tradd Moore with issue #1, on sale now! In 2017 he illustrated the landmark issue #150 of Venom, [8] and continued to contribute covers for Marvel's Secret Warriors and IDW's Revolutionaries. MARVEL.COM: What about Doctor Strange and his world is most attractive to you both as a reader and a creator? Beyond these more overt religious references, the Moores continue to pay homage to the more psychedelic roots of Doctor Strange, complete with plenty of third eyes. Further, the art’s looser styling gives it a dreamlike quality, though perhaps it would be more accurate to call it a nightmare for Strange. His conflict through the middle portion of the issue is fittingly fluid and nigh-weightless, though as the fight progresses, the weight of the situation figuratively and literally bears down on him. MARVEL.COM: Have you always wanted to work on a Doctor Strange project or was this something that was pitched to you?

MARVEL.COM: Is there freedom in taking on all those roles yourself? Do you find yourself missing collaborative pieces?

I love a good self-contained Marvel comic; those are the ones I return to most often. I'm drawn to the stories that stand on their own and define the spirit of a character: Miller and Claremont's Wolverine, Barry Windsor-Smith's Weapon X, Moebius and Lee's Silver Surfer: Parable, that kind of thing. That's what I'm aiming for here. TRADD MOORE: At their best, there’s broad creative freedom in Doctor Strange stories, and in that freedom there’s a challenge. Magic makes the world wide open; what do you do with that space?TRADD MOORE: The thing I love about Ditko and Lee’s STRANGE TALES is how off-the-wall creative it is. You never really know what’s coming next, because I don’t think Ditko himself knew what the hell was coming next. [ Laughs] He was letting his creative whims pour out and be. I love that. TRADD MOORE: You know, I don’t recall discovering Doctor Strange. There are a lot of characters like that: they exist before you, and you’re introduced to them at such an early age that there’s no moment of discovery; they’re just a part of the world. Moore returned to Image comics in 2018, co-plotting, penciling and inking the five-issue sci-fi action romance series The New World with writer Aleš Kot. [9]

I was in Rome and we walked into this beautiful church; I don’t remember its name. There was this big, ornate golden altar—angels, saints, crowns, crosses, Jesus, all the heavy hitters—and under the altar in a glass box was an immaculately sculpted and outstandingly sad sculpture of a dead woman lying down on her side unceremoniously with her head wrapped in a veil. No one was told to be quiet, but the whole place was silent. Under the church, or maybe it was a different one, there was an actual dead body of some holy person in a glass box for people to look at. Travel to a distant world with Doctor Strange in DOCTOR STRANGE: FALL SUNRISE #1, on sale this November. Will Fall Sunrise somehow connect to this story, or will it be its own totally separate narrative, outside the mainstream Marvel Universe? Time will tell.

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Tradd Moore does or touches everything except colors, which Heather Moore does. Admittedly, the credits of Doctor Strange: Fall Sunrise #1 list Clayton Cowles first and a "with Tradd Moore" credit. Perhaps Tradd Moore drew the letters that are baked into the art PCR-style? Doctor Strange stories should compel us to reach beyond what we know, what we expect, what we dream; they should compel us to look inside ourselves and be honest with what we see. I said, “I’d like to write and draw a Doctor Strange series.” They said, “DEAL.” In reality, I said much more, but come on, spoilers, geez. That was late 2019, and I’ve been pushing this stone up a hill ever since! Doctor Strange: Fall Sunrise #1 is a visually arresting first issue that recalls the work of P. Craig Russell and Phillipe Druillet. Doctor Strange: Fall Sunrise #1 cover