All Art is Ecological (Green Ideas)

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Krüger, Christian. 2020. Überengagement. In Funktionen der Künste. Transformatorische Potentiale künstlerischer Praktiken. Edited by Birgit Eusterschulte, Christian Krüger and Judith Siegmund. Stuttgart: J.B. Metzler, pp. 45–60. [ Google Scholar] Stoltz, Barbara. 2023. Künstlerische Konzepte versus Kunsttheorie seit der Renaissance—aus der Sicht der Moderne und Postmoderne. In Grundlegende Konzepte der Renaissance in der Kunst der Moderne, Postmoderne und Gegenwart. Widerlegung, Wiederaufnahme, long durée. Edited by Barbara Stoltz. Bern: Peter Lang Verlag, In redaction. [ Google Scholar] Britannica. n.d. Available online: https://www.britannica.com/dictionary (accessed on 12 August 2022).

Strelow, Heike. Ecological Aesthetics: Art in Environmental Design: Theory and Practice. Initiated by Herman Prigann. Birkhäuser, 2004. Even if they have never broken down and cried, I think most people have felt overwhelmed by the presence of a great work of art. My friend Brooks has described it as hyperventilation. Adams, Clive, Environmental Art: A Brief Introduction Centre for Contemporary Art and the Natural World, 2002. Genzlinger, Neil (2021-11-19). "Bonnie Sherk, Landscape Artist Full of Surprises, Dies at 76". The New York Times. ISSN 0362-4331 . Retrieved 2022-12-23.Nieslony, Magdalena. 2022. Moralische oder ethische Wende des gegenwärtigen Kunstdiskurses? Bemerkungen zur Geschichte und Gegenwart moralischen Urteilens über zeitgenössische Kunst. 21: Inquiries into Art, History, and the Visual 3: 343–81. [ Google Scholar] [ CrossRef]

Wabl, Ans, ed. 2015. Die Verschränkung von Kunst und Nachhaltigkeit. Graz: Edition Keiper. [ Google Scholar] Moyer, Twylene; Harper, Glenn, eds. (2012). The New Earthwork: Art Action Agency. Washington, DC: University of Washington Press. ISBN 9780295991641. Over the past 75 years, a new canon has emerged. As life on Earth has become irrevocably altered by humans, visionary thinkers around the world have raised their voices to defend the planet, and affirm our place at the heart of its restoration. Their words have endured through the decades, becoming the classics of a movement. Together, these books show the richness of environmental thought, and point the way to a fairer, saner, greener world. Read more Look Inside DetailsMostly though, I had the impression that Morton is an edgelord. And that he fancies himself a bit too much.(And of course he has to drop that he knows Björk, personally.) Betram, Georg W. 2020. Improvisation als Paradigma künstlerischer Wirksamkeit und ihrer sozialen Dimension. In Funktionen der Künste.Transformatorische Potentiale künstlerischer Praktiken. Edited by Birgit Eusterschulte, Christian Krüger and Judith Siegmund. Stuttgart: J.B. Metzler, pp. 17–31. [ Google Scholar] That a massive animal and plant extinction is now unfolding is irrefutable, but what is so crucial about this sixth such event is that the asteroid causing the die-off is us. Ecological restoration – Some artists attempt to alert viewers to environmental issues and problems through scientific exploration and educational documentation. They seek to restore fragile places and educate the public to the systemic character of bioregions through the use of communication, ritual, and performance. Some ecological artists engage people directly in activities or actions by confronting environmentally unhealthy practices with social, ethical, and moral ecological concerns. [65] Bonacossa, Ilaria (2008). Greenwashing: Environment, Perils, Promises and Perplexities. Tornino: The Bookmakers, Fondazione Sandretto Re Rebaudengo per l'Arte.

And You May Find Yourself Living in an Age of Mass Extinction…. So begins Timothy Morton’s latest book, All Art is Ecological. And he looves his silly little word creations like truthiness; Yodaness... I mean, good for you mate, but calm down. Lampert, Nicholas (2013). A People's Art History of the United States: 250 Years of Activist Art and Artists Working in Social Justice Movements. New York: New Press. pp.274–278. ISBN 978-1-59558-324-6 . Retrieved 28 December 2015. Capra, Fritjof (1996). The Web of Life: A New Scientific Understanding of Living Systems. New York: Doubleday.

The 2012 book, Toward Global (Environ)Mental Change - Transformative Art and Cultures of Sustainability, proposes that the global crisis of unsustainability is a disruption of the hardware of civilization, as well as a crisis of the software of the human mind. [25] Art and Climate Change: Separate Bubbles or Mutual Membrane? theorises three key obstacles to environment-oriented change (bad ‘memes’, ‘Radical Inertia’, ‘Framed Questions’) and explores the possible role of eco-art in exposing and dissolving those obstacles. [26] The 2004 book, Ecological aesthetics: art in environmental design: theory and practice, presents an analysis of a variety of tendencies and approaches to landscape architecture, science and theory that inform research and the transformation of the landscape for over thirty years. [27] Green Arts Web, [28] compiled by Carnegie Mellon University senior librarian, Mo Dawley, is a compendium of core readings on contemporary environmental art, ecological art and theory (20th century to the present) that includes, among other sub-categories, for example, [29] deep ecology practices; [30] [31] [32] ecofeminism; [33] [34] [35] ecopsychology; [36] land ethic and bioregionalism; [37] sense of place; [38] [39] [40] and systems thinking. [41] [42] Principles [ edit ] Rahmani, Aviva. 2015. Trigger Point Theory as Aesthetic Activism: A Transdisciplinary Approach to Environmental Restoration. Doctoral thesis, Plymouth University, Plymouth, UK. Available online: https://pearl.plymouth.ac.uk/handle/10026.1/9326 (accessed on 22 August 2022). Alfrey, Nicholas, Stephen Daniels, and Joy Sleeman, eds. 2012. To the Ends of the Earth: Art and Environment. Tate Papers, No. 17. Available online: https://www.tate.org.uk/research/tate-papers/17/to-the-ends-of-the-earth-art-and-environment (accessed on 12 August 2022). Van den Berg, Karen, and Philipp Kleinmichel. 2020. Performance, Autonomie und mögliche Wirklichkeiten. In Funktionen der Künste. Transformatorische Potentiale künstlerischer Praktiken. Edited by Birgit Eusterschulte, Christian Krüger and Judith Siegmund. Stuttgart: J.B. Metzler, pp. 165–80. [ Google Scholar] Beardsley, John. Earthworks and Beyond: Contemporary Art in the Landscape, Abbeville Press, 1989 and 2008.

Weintraub, Linda (2006). Eco-Centric Topics: Pioneering Themes for Eco-Art (PDF). New York: Artnow Publications: Avant Guardians: Textlets in Art and Ecology. ISBN 0977742148 . Retrieved 23 August 2015. [ permanent dead link] Provocative and playful, All Art is Ecological explores the strangeness of living in an age of mass extinction, and shows us that emotions and experience are the basis for a deep philosophical engagement with ecology. Leopold, Aldo (1987). A Sand County Almanac, and Sketches Here and There. New York: Oxford University Press. Matilsky, Barbara (1992). Fragile Ecologies: Contemporary Artists' Interpretations and Solutions. NY: Rizzoli International Publications. ISBN 9780847815920. Crowther, Paul. 2020. Theory of the Art Object. New York and London: Routledge, Taylor & Francis Group. [ Google Scholar]Generally, this whole text seems to be a justification for privileged Boomers ( and yes, Morton has to mention that he is Gen X). It's mental gymnastics to justify why "not caring is caring". Saraceno, Tomás. 2022a. Available online: https://studiotomassaraceno.org (accessed on 12 August 2022). Kosok, Felix. 2021. Form, Funktion und Freiheit: über die ästhetisch-politische Dimension des Designs. Bielefeld: Transcript. [ Google Scholar] Garber, Elizabeth. "Social Restoration". Art & Ecology: Perspectives and Issues. Greenmuseum.org. Archived from the original on 16 December 2010 . Retrieved 4 September 2015.