LEWITT LCT 440 PURE XLR condenser microphone for voice, singing, instrument recording, and streaming

Product Information

LCT 440 pure is a beautiful modern designed large diagram condenser microphone with impressive electronic circuit and wonderful sounding 1 inch capsule, which can also be found in Lewitt hi-end range of microphones.

The equivalent input noise is given as 7dBA, which is very low, and my experience confirmed that noise is not an issue. If asked to describe the character of the mic I’d say it was natural sounding but on the airy side of neutral, which is no bad thing in pop-music work. Looking through the grille on the two mics reveals a larger, one-inch capsule in the LCT 440 Pure, compared to the 0.67 inch capsule in the LCT 240 Pro, and while the accessories in each box also differ slightly, it’s this difference in the capsule that really sets the two mics apart. If you’re unfamiliar, the Lewitt brand is relatively - in the world of microphones - quite young. Founded in Austria in 2009, it has built a reputation for creating high-quality, beautifully designed recording microphones that offer an alternative to familiar brands like Shure and Neumann. Both of these microphones are useful, versatile additions to any mic collection. Despite being the cheaper of the two, the LCT 240 Pro could easily find a role in many professional-mic collections, as the voicing will definitely suit some instruments more than others; while the LCT 440 Pure is a more neutral-sounding microphone that would make an excellent choice for anyone looking to just add one detailed, high-quality condenser to their collection – there’s nothing it won’t sound at least pretty good on, and it will make many things sound great. However, what impressed me the most was that the Lewitt LCT 440 PURE produces LESS self-noise than the Sennheiser MKH 416 (7dB vs 13dB).Technically speaking, the Sennheiser MKH 416 is also a condenser microphone, but it’s MUCH more directional than the Lewitt LCT 440 PURE. Versatile Studio Allrounder - No creative boundaries here! This microphone is a true studio allrounder, suitable for recording a wide range of audio sources. With an ultra-low self-noise level of only 7 dB (A), it thrives in quiet environments, while its ability to handle ear-shattering sound pressure levels of up to 140 dBSPL results in an impressive dynamic range of 133 dB (A). Whether you're recording vocals or instruments, the LCT 440 PURE - VIDA EDITION empowers your creativity without compromise. Today we're looking specifically at the Lewitt LCT 440 Pure, which is its mid-range condenser aimed at a range of studio applications including vocals, speech and acoustic instruments, although Lewitt claims it has more than enough ability to be classed as a proper studio all-rounder.

The RODE NT1 sounds much more neutral and balanced because it doesn’t boost the higher frequencies. The RODE NT1-A actually sounds quite harsh in the top-end. I’ve never had the pleasure of working with a Neumann TLM-103 or a Shure KSM32, but based on the data collected on these microphones… All other things being equal, capsule size can have a huge impact on the sonic characteristics of a microphone. A smaller capsule has less mass than a larger capsule, and so can respond to transients faster than a larger capsule. There are also benefits to high-frequency response and to directionality when using small-diaphragm cardioid capsules. Lewitt’s new vocal and instrument microphone retains the essence of their established models, but at a much more attractive price. The first thing I did when I received my LCT 440 PURE, one of the first production models to arrive in the country, was to compare it to the previously-reviewed LCT 640 TS in cardioid pattern. Sonically I could perceive little difference between the two. The LCT 440 PURE lives up to its name and does its big brothers proud, being ultra-clean and natural sounding. It’s very much in the “what your source sounds like is what you get” camp.The 1" true condenser capsule captures the signal with an impressive amount of depth and clarity. Preserve your individual personality and all the emotion you've put into your performance. PURE recording Compared to the t-bone the difference in quality of build is obvious,the LCT440 feels like a decent mic.Compared to the t-bone and sound i found the LCT440 to be smoother at the high end and requiring alot less corrective eq in general.

In fact, at this low price, I would recommend that beginners consider purchasing a pair of LCT 440 PURE models for dual-mic and stereo work. If you don’t need multiple patterns yet, and you use your mic preamp and/or DAW for highpass filtering (gain control at the preamp isn’t the same as a pad on the mic itself), you can get two wonderfully clean mics that will do great service in all sorts of applications for about the same price as a single LCT 450, and for far less than the fancier LCT models. Lastly, the industry-leading 10-year warranty offered by RODE is also something to consider. However, all of the microphones we’ve talked about so far (especially the Sennheiser MKH 416) are incredibly durable and should last you MANY years. I think most will agree with me that the strength of a condenser microphone lies in its ability to capture high-frequencies with crystal-clear response. Lewitt Limited Edition LCT 440 Pure Puristic Studio Condenser Microphone, VIDA Edition Specifications:

Elevated Sound Quality - The LCT 440 PURE - VIDA EDITION utilizes the same premium components and capsule technology found in LEWITT's prestigious models, ensuring that your recordings are characterized by a larger-than-life sound with remarkable depth and clarity. Each capsule is meticulously calibrated and tested to meet the highest quality standards, allowing you to capture your unique personality and the emotions you pour into your performances. It’s made even more versatile by its three polar patterns (cardioid, omni and figure-eight); a -10dB pad, great for capturing louder sources, and a low-cut for curbing unwanted proximity induced low-mid boost while in either of the directional modes.