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Murthi, R. S. (11 May 2004). "Misery on the high seas". New Straits Times. Kuala Lumpur, Malaysia. ProQuest 271808566. Video Software Dealers Association Home Entertainment Award for Sellthrough Title of the Year From an Independent Studio — Won [32] [33]
Based on the Tchaikovsky ballet Swan Lake, [2] [3] it is the third in the Barbie film series, with Kelly Sheridan providing the voice of Barbie. [4] Kathleen Barr as The Fairy Queen / Marie – The ruler of the Enchanted Forest. Marie is Odette's elder sister who likes to ride horses. Peter Martins choreographed dances with principal dancers from New York City Ballet. The dancers were Charles Askegard, Ellen Bar, Maria Kowroski, Benjamin Millipied, Abi Stafford, and Janie Taylor. A song performed by Leslie Mills named " Wings" was used in the closing credits of the movie. It was produced by Mills and Chris Pelcer. The recording studios used for the film were Abbey Road Studios in London and A W R Music Studio in Chicago.DVD Premiere Awards". Video Premiere Awards. Archived from the original on 18 December 2003 . Retrieved 18 April 2022.
The film features Tchaikovsky's score from Swan Lake performed by the London Symphony Orchestra, [13] with 15-year-old violinist Nicola Benedetti performing the violin solos. [14] [15] In addition, the film has a theme song that plays over the end credits, "Wings", written by Jason Blume and performed by Leslie Mills. [16] Release [ edit ] Venus Terzo as Lila – A friendly purple unicorn who is also Odette's friend. She likes to go to people's town and is almost captured by town people. She tells Odette that she (Odette) is braver than she thinks. Barbie of Swan Lake is a 2003 computer-animated fantasy film co-produced by Mainframe Entertainment and Mattel Entertainment, and distributed by Artisan Home Entertainment. When the elves are turned into animals they are still able to speak, but when the Fairy Queen transforms into a mouse, she cannot speak.Maggie Wheeler as Odile – A witch and Rothbart's spoiled daughter who fools Prince Daniel at the ball by using magic to take on the form of Odette. In the end, she becomes a maid in Erasmus' library. The Queen ends by telling Odette every time Rothbart casts a spell on someone or takes them prisoner, her magic becomes weaker and he takes over more of the forest. Odette also meets the other elves of the forest: Carlita, now a skunk; Ivan, a porcupine; Marisa, a deer; Liana, a fox; Kelly, a cygnet; and Jenny, a mouse. As per the legend Odette is the one who will save the forest because the crystal chose her. Odette, not wanting to get mixed up in the situation however, refuses. She says that she must return home as her father and sister are looking for her. The Fairy Queen complies but sends Lila to escort her out and give one last try at convincing her. Rothbart appears in the wood with his daughter, cornering Odette by a tree. As it turns out he had gotten word that Odette had freed the crystal and is the one destined to defeat him. a b Benson, K. Lee (1 January 2004). "Barbie of Swan Lake". The Video Librarian. ISSN 0887-6851. ProQuest 1977970475. Video Premiere Award for Best Animated Video Premiere Movie — Nominated (Jesyca C. Durchin and Jennifer Twiner McCarron) [30]
Howard, Brendan (20 July 2003). "Artisan Debuts Barbie's 'Swan' Song". Video Store. Vol.25, no.30. p.12. ISSN 1541-1737. Chantal Strand as Kelly – Barbie's sister who’s afraid of tomorrow's race at her camp as well as Kelly the elf who was turned into a cygnet. In a 2021 retrospective review, The Sunday Telegraph called it a "gentle tale" and wrote, "The 2003 animation looks a bit dated now but it can still capture the imagination." [29] Awards [ edit ] Lyman, David (24 November 2004). "NYCB dancer brings movement to Barbie video". Detroit Free Press. Tribune Content Agency. Knight Ridder/Tribune News Service. p.K0012. Gale A110494047 ProQuest 456626583.Describing the film as "teem[ing] with villainy, magic and fantasy", Nancy Churnin in The Dallas Morning News wrote that Barbie of Swan Lake "exceeds expectations"; she noted its educational value. [23] Reviewing the film for Video Business, Buzz McClain wrote, "Director Hurley overcomes the potential robotic coldness of the digital animation, which at times resembles that of a videogame, by infusing undeniable charm into the story and characters." McClain also noted the cultural value of the film's ballet sequences and classical music, highlighted in the DVD extras. [13] Video Software Dealers Association Home Entertainment Award for Best Direct-to-Video/Limited Release from an Independent Studio — Won [32] [33] Walton, Kenneth (21 December 2007). "Well hello, dolly". Scotsman Review. The Scotsman. Edinburgh, UK. p.10. ProQuest 327313258.
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