A Poetics of Place: The Poetry of Ralph Gustafson

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The phrases are Ralph Waldo Emerson’s; see Bristow, T. (2006). Contracted to an Eye-Quiet World: Poetics of Place in Alice Oswald and William Carlos Williams, Symbiosis: A Journal of Anglo American Literary Relations, 10(2), 167–185; the British tradition is clarified by Haughton, H. (2013, 24 May). Water Worlds: Poets’ Rivers from Thomas Warton to Alice Oswald, Times Literary Supplement, 13–15. Kirk-Rudeen, Shelley, 2006 “Zumwalt Prairie” in Windfall: A Journal of Poetry of Place accessed at http://www.hevanet.com/windfall/poetryofplace.html Screen capture of the map of the Seattle Poetic Grid, showing locations of poems about places in the city.

For cost savings, you can change your plan at any time online in the “Settings & Account” section. If you’d like to retain your premium access and save 20%, you can opt to pay annually at the end of the trial.Romantic and aestheticizing approaches to nature have as readily lent themselves to the expression of reactionary sentiment as sustained the radical critique of industrialism, and this means that left-wing ecologists, however understandably eager they may be to reseize this tradition of romanticism for their own purposes, are dealing with a problematic legacy. scholars focused particularly on the Poetics. In constructing his epic poem, Tasso was strongly influenced by Aristotle’s views regarding the philosophical dimension of poetry. Loosely paraphrasing Aristotle, he held (in his Apologia [1585]) that poetry, by incorporating both particulars and universals, is capable of seeking truth in its perfect wholeness.… Read More Following a career in design in the fashion industry, Kirke Raava graduated with BA(Hons) in Jewellery and Accessory Design in 2015 from the Middlesex University. In 2017 she become an elected Arts Fellow at the Digswell Arts Trust.

Robin Jensen and Lucas Christensen (University of Notre Dame): The Stations of the Cross in a Stadium? Or How Viewers Encounter Sacred Art in a Secular Context Tom Duggan: The Insufficiency of Secular-Minded Aesthetics in Understanding the Music of Sir James MacMillanRosemary Williams: The Boat of Salvation, the Office of Lauds, and Resurrection: Liturgy on the Shores of Ante-Purgatory in Dante's Commedia Poetics of Place exhibition is a part of the Hertfordshire Year of Culture, focusing on six artists working and living in Hertfordshire. Artists Kirke Raava, Amanda Ralph, Fiona Curran, Dave Nelson, Imogen Welch, and Yva Jung with diverging visual languages shared an intrinsic interest in the process of reassembling experiences of place or memory. Hina Khalid: Participating in the Divine Playfulness: The Theological Aesthetics of Rabindranath Tagore (1861-1941) the term casually in the Poetics in describing the tragic hero as a man of noble rank and nature whose misfortune is not brought about by villainy but by some “error of judgment” (hamartia). This imperfection later came to be interpreted as a moral flaw, such as Othello’s jealousy or… Read More

Pope, Alexander, 1731 Epistles to Various Persons: Epistle IV Of the Use of Riches, to Richard Boyle, Earl of Burlington. As part of the Hertfordshire Year of Culture, this group exhibition focuses on works by six artists living and working in Hertfordshire. With varying visual languages, artists Fiona Curran, Yva Jung, Dave Nelson, Kirke Raava, Amanda Ralph and Imogen Welch all share an inherent interest in the process of moulding and re-shaping experiences of memory or place. Consisting of assemblages, textile works, painting, photography and installation, the exhibition showcases layered, meticulously constructed works that consider the undercurrents of value systems, social histories and image-making. Sheers, Owen 2008 “Poetry and Place: some personal reflections” Geography, Vol 93 _Part 3 2008 accessed at http://www.owensheers.co.uk/pdf/geography.pdf These new objets d’art, vaguely familiar and recognisable at first glance, are displayed within a gallery environment, removing them from their humble domestic beginnings and practical motivations into reworked delicate small-scale contemporary textile sculptures. I bet this was a mall…🏛 . . . . #lebanon #anjar #moodnation #nature_brilliance #EarthVisuals #artofvisuals #welivetoexplore #natureaddict #ruins #ourplanetdaily #earth_deluxe #liveloveanjar #instanaturelover #nature_prefection #ancientart #unlimitedplanet #naturephoto #main_vision #landscape_captures #awesome_earthpix #natureaddict #awesomeearth #nature_wizards #livelovebeirut #ancientcivilization #instanaturelover #the_folknatureKearney, Richard (2014). "Introduction". The Poetics of Space. New York: Penguin Books. ISBN 978-0-14-310752-1. Perception of placehood is subject to the changeability of the moon in A Sleepwalk on the Severn; my critical analysis of human encounters as ecopoetic extensions to sensory exploration finds them inescapably tinged by moonlit flux. Oswald’s Anthropocene lyric navigates a perilinguistic channel that interconnects human and non-human affect. I argue that her mapping of the movement of emotions across people, planet and place is a mode of signifying the ways that subjectivity and environment call into being our enworldedness. Keywords In his Poetics—still the most respected of all discussions of literature—Aristotle countered Plato’s indictment by stressing what is normal and useful about literary art. The tragic poet is not so much divinely inspired as he is motivated by a universal human need to imitate, and what he… Read More Colette Hughes/Nic Aodha: Of Wasteness and Desolation,[..]a Day of Trumpet and Alarm against the Fenced Cities and the High Towers (Zephaniah 1:6): David Jones's Christian Voyage in" The Anathemata, fragments of an attempted writing Paul Murray: “Irish Protestant Literary Perspectives on Catholic Liturgy: Ethel Voynich's 'The Gadfly' (1897) and Bram Stoker's 'Dracula' (1897)”

Let it Simmer Over Summer’ examines the notions of journey, pause and composition. Often the slightly skewed observations of everyday situations are based upon placing herself in an unfamiliar environment or a particular place. Then, with drawings, sculptures and videos, Jung creates a composition that interconnects encounters, stories and places. This process is an ongoing, reflective dialogue with daily experiences and everyday objects that Jung subverts to add stories to. The poems below are literary photographs of a place or space, a culture, an era, or moment in time. They are of nature or cement, of resistance or calm. And all the nuances in between. You may also opt to downgrade to Standard Digital, a robust journalistic offering that fulfils many user’s needs. Compare Standard and Premium Digital here. Jung’s work begins with a particular way of observing the external world. She is interested in planetary rhythms – the cycles of life and death. Her exhibited body of work is based on themes related to Monday, or ‘day of the moon,’ such as the cycle of the seasons, tide and female fertility. Jung’s work conjures a sense of journey, longing and rhythm based on the Moon-day. Moon is a symbol present in many of Jung’s works – in the concrete slabs of the ‘Mooned Noon’ and in the photographic piece ‘Spooning the Waxing Moon’ where the artist holds a spoon up to the moon as if eclipsing it in front of the camera. Neither Tintern Abbey nor the River Wye is mentioned except in the poem’s title, yet Wordsworth’s descriptions of “steep and lofty cliffs,” “plots of cottage ground,” “hedge-rows, hardly hedge-rows, little lines/ of sportive wood run wild,” and “pastoral farms,” evoke the specific character of the Wye valley and make it recognizable even to those who may not be familiar with it. This poem, like many poems of place, is in other words, communicates intersubjectively; it is simultaneously about somewhere particular and has a widely shared resonance.

Daydreaming of a tropical beach resort destination with cotton candy skies and clear blue ocean waves…double tap if you’re like us and could sit there for hours taking in this natural beauty! 🧡 #vacation #beachdays With a poetry reading by Hilary Davies, live sculpting by Timothy Schmalz, andamusical performance of OlivierMessiaen’s ‘Quartet for the End ofTime’ Call for Papers used by Aristotle in the Poetics to describe the effects of true tragedy on the spectator. The use is derived from the medical term katharsis (Greek: “purgation” or “purification”). Aristotle states that the purpose of tragedy is to arouse “terror and pity” and thereby effect the catharsis of these emotions.… Read More