Korg - Nu:Tekt NTS-1 Digital Synth Kit

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The variable names marked with an asterisk call by reference. They indicate that in this function, when a value is changed, the variable that calls it also changes. This basically means that the data received is the original, not a copy. You might want to study more about calling by reference and passing values! In this way, we return the value to zero and keep the buffer going (meaning that we keep writing to it). This is called a “ring buffer” or “cyclic buffer”.

Determine the beginning stop point of the knob This is disabled when the knob is turning, since “isStop” is “1”.As for the array, ah, it starts from zero, right? For that reason, this is reset to zero, to avoid an unwanted crash in case we get to the number represented by BUFFER_LEN. As I wrote last time, this condition can be written in different ways. We’ve standardized it this time so that the conditions are met when reaching or exceeding the value. You should note that the NTS-1 won’t break if the software crashes, so don’t worry about making mistakes! The built-in ribbon controller is handy for demoing sounds and using the Korg NTS-1 with its super flexible arpeggiator (which features several patterns). You also have the option to control and synchronise the NTS-1 with external hardware, thanks to its SYNC IN, SYNC OUT, MIDI IN and USB ports. This means you can play the NTS-1 with full-size keys or link it up with something like the Volca Beats/ Drum/ Sample/ Keys/ FM to create a cool portable rig. Last time we talked about the effects we actually made for the NTS-1. Have you tried them out yet? This time, I’ll explain the environment you’ll need to create your own original effects (and oscillators) for the NTS-1. Take note at the function used specially for delfx. About the only thing different is the name, right. So in this “for” statement, the value of the variable named “i” increases by one with each loop, as long as the value is less than “frames”.

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Finally, we’ll type name of the effect we created in to the “name” parameter in “manifest.json” and in the “PROJECT” parameter of “project.mk”. You can do this using a text editor. For example, if you have the same synthesizer sound in both the left and right channels, but then add the mic sound to just one channel, you’re able to extract the audio from the mic by using the differential from both signals. Does this line of reasoning make sense? There are two methods used to show the sizes of numbers in digital audio data: fixed decimal and floating point. Floating point is commonly used in our ordinary lives, in the same way as when we say "50% more." It's easier for people to understand. However, the downside of floating point is that calculations get processed slower. s1” is the first sound of between the two points previously mentioned, and “s2” is the L and R we’ve prepared, meaning the last sound. The last button is the Arpeggiator, which is useful considering the keyboard, and also a lot of fun. Press to enable, hold it for a second to engage the latch, touch a couple of notes and let it go. While holding the Arp button the other six buttons become chord selectors; Octave, Major Triad, Major Suspended, Major Augmented, Minor Triad and Minor Diminished. You can use the keyboard to transpose if you try really hard. Continuing to hold the button down the Type knob selects between 10 different arpeggiator modes including Random and Stochastic. Knob A sets the pattern length from one to 24 steps and knob B handles the tempo or step duration if externally sync'ed. There's no opportunity as yet to edit the Arp chords or add your own but this may become possible via a firmware update or software editor. But as it is it's comprehensively fun to use. The versatility, the effects, the price and the fun to be had with the NTS‑1 are pretty unbeatable. Multi-EngineWhen using 3rd party plugins on the NTS-1 please consult with the developer first as the content may sound differently than with minilogue xd or prologue based on polyphony. This is where we use the data previously received from the knobs. At last, here it is! The data we received is from 0–1, so if we want to get a value of 64 from the maximum number (1), we need to multiply it by 64.