BOSS Rc-300 Loop Station, Three Stereo Tracks with Dedicated Footswitches And Controls for Each; Xlr Microphone Input & Usb Storage

Product Information

Each track is independently controllable, so finding the right settings for each individual loop is made easy.

If you have questions about operating your BOSS product, please check our Knowledge Base for answers to the most common questions. Hello, I am loop artist and have settled upon this as main setup: RC300, PODHD500X, VoiceLive Touch2 with switch6, iphone controlled by iRig keys… not going into signal chain, I’ll come right to it… I’m a newbie to MIDI but want RC300 as master and want tempo sync’d on POD and VLT2.The built-in expression pedal is also assignable, but I use it mostly for volume control, be it as a whole, or for controlling the volume of tracks or drum loops. At this point the salesiness intensified and he began checking the power supply and looking for another one. Another cool thing is that you can actually overload assignments so a single button does multiple things. I'm not sure I'm going to jump to spend 600 bucks on the new one any time soon, being that I play mostly pubs and no one is going to be able to tell the difference between 16bit and 32bit audio over a mono PA speaker in a small room, but I'm curious what others' opinions are. Create, stack, and manipulate multi-layered loops with the RC-300s three stereo tracks - each track being independently controllable.

Up to three hours of internal memory and the ability to transfer loops over to your computer for later use all builds into one powerhouse looping system. Changing the tempo after recording also affects the loop tempo, great for experimenting with slower or faster tempos.All the sound samples I've shared in this review were saved directly via USB Audio into Audacity, a free audio recording program. I really hope I can at least hack something into this, otherwise I'll just start practicing visualizing the display in my mind while reading the manual and pressing buttons. Still, I have always had a hard time understanding the levels of abstraction and all the technical jargon in datasheets as well as component interaction in general. So while it shouldn't have to be, the fact is that the built-in effects cover some other shortcomings here in a way the 50 cannot. This means that if you do the same thing, it will just cut off the Overdub and leave the first Record.

These high quality effects, inspired by BOSS's legendary stompbox circuits, can be applied to any single track as well as to the entire mix and feature a LOOP FX footswitch for instant activation.Eventually, I check it out and my eager eyes see the usual guitarist-level encrustment of dirt and figure it looks pretty good.

Upon further experimentation, I found that the 300 was glitch-free with the GT-6's Midi Delay so long as the 300's BPM was set to a whole number (IE 156.The reason is that when you press the “All Start/Stop” on the Master, it will NOT start the Slave RC-300. The Boss RC-300 challenges you to take looper performances to the next level and create even more mind-boggling loops than you ever could before. I need to use my eyes to find the correct place more than I did when the Play button was always in the same place. While I do like the additional buttons the 300 offers (the 3 dedicated STOP buttons provide the Clear functionality I was assigning to external buttons on the 50 to begin with), the button layout's effect on my performance is mixed. However, the beat-synced effects are usable, sound good, and overlap the issues I've had syncing the RC-50 to the Adrenalinn 3 for the delay effect.